It's fall, and a farmer is seen returning a wagonload of hay, presumably cut and dried in his fields. Fidaroff composes his scene so as to obscure what may be a gas-powered tractor (since we don't see a team of horses ahead of the farmer). A warm shagginess is repeated throughout the painting--tree leaves, grass, the load of hay--using impressionist brushstrokes. In the distance, the cool gray skyline of a mountain points toward winter.
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