An arrangement of dried stalks in a ceramic urn creates this dazzling play of colors and light. Its setting is a wooden table, Navaho-patterned weaving, and earth-colored walls; along with the bright light passing in through a curtain at left, the effect is one of the American southwest, whether the still life was painted there or not. The painting’s otherwise haphazard lines draw our eyes to one particular globe and its shadow at top center.
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