A deft hand with tonal color renders Fastovsky's autumnal landscape somewhat different from what we expect in paintings of that season. We look down upon a valley whose brightest colors are literally marginalized—as borders between agricultural fields—except for blazing oranges at middle right. Houses and roads leading down a precipitous hillside, along with a mountain rising on the valley's other side, allow for an unusually large area for such a compact composition.
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