This striking landscape is organized around the single arc of a highway that divides the space into two sectors: above, a brightly lit realm of forests and mountain ridges; below, a shadowed landscape of brown fields, a diseased tree, and a dilapidated farm house. Clearly, the travails of American farmers during the 1930s has influenced Mira’s subject matter. The highway itself is a pristine band of white futurity, guarded on one side by rails and on the other by electric or phone lines (which the farm conspicuously lacks). Improbably, we see three cars on the road along with two people walking alongside; what may be a farmer watches them walk away.

0 Comments
Recent post