Against a cool background of blue-grays and white, we see a hillside of innumerable colors flowing downhill in nearly a molten state. In contrast to Fastovsky’s general blending technique are several smaller clusters of intensely pointilized colors—at lower left, for example. Even a telephone pole draws upon this for its green insulators. The specific location of the two tunnels hasn’t been identified, but the dreamy fluidity of landscape, house, and rail infrastructure is attractive.
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